» Wieści » Nominacje do nagród Eisnera 2018

Nominacje do nagród Eisnera 2018

24-05-2018 18:33 | Shadov

20 lipca, podczas Comic-Conu w San Diego zostaną rozdane nagrody Eisnera za rok 2017. W 31 kategoriach zostało nominowanych ponad 120 tytułów drukowanych i internetowych opublikowanych w Stanach Zjednoczonych pomiędzy 1 stycznia, a 31 grudnia 2017 roku. Wśród nich znalazły się również komiksy, które premierę zaliczyły w Polsce.

Z serii wydawanych w Polsce, wśród nominacji znalazły się: trzy pozycje od Non Stop Comics – Monstressa, Giant Days i Duch Gaudiego, tytuł wydany przez Mucha Comics – The Wicked + The Divine, oraz komiks wydawany przez Egmont – Czarny Młot. Z kolei w kategorii Najlepszy autor nominowany został Jeff Lemire twórca m.in. Czarnego Młota i serii Descender (również wydanej w Polsce). Także w kategorii Najlepszy liternik nominacji doczekał się znany u nas autor – Stan Sakai, twórca komiksów Usagi Yojimbo.

Pełna lista nominacji do nagród Eisnera 2018:

Najlepsza krótka historia:

Ethel Byrne (Cecil Castelluci, Scott Chantler) w Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood – ComicMix;
Forgotten Princess (Phillip Kennedy Johnson, Antonio Sandoval) w Adventure Time Comics #13 – kaboom;
A Life in Comics: The Graphic Adventures of Karen Green (Nick Sousanis) w Columbia Magazine – Summer 2017;
Small Mistakes Make Big Problems (Sophia Foster-Dimino) w Comics for Choice – Hazel Newlevant;
Trans Plant (Megan Rose Gedris) w Enough Space for Everyone Else – Bedside Press.

Najlepszy one-shot:

Barbara (Nicole Miles) – ShortBox;
Hellboy: Krampusnacht (Mike Mignola, Adam Hughes) – Dark Horse;
Pope Hats #5 (Ethan Rilly) – AdHouse Books;
The Spotted Stone (Rick Veitch) – Sun Comics;
What Is Left (Rosemary Valero-O’Connell) – ShortBox.

Najlepsza seria kontynuowana:

Black Hammer (Jeff Lemire, Dean Ormston, David Rubín) – Dark Horse;
Giant Days (John Allison, Max Sarin, Liz Fleming) – BOOM! Box;
Hawkeye (Kelly Thompson, Leonardo Romero, Mike Walsh) – Marvel;
Monstressa (Marjorie Liu, Sana Takeda) – Image;
The Wicked + The Divine (Kieron Gillen, Jamie McKelvie) – Image.

Najlepsza seria limitowana:

Black Panther: World of Wakanda (Roxane Gay, Ta-Nehisi Coates, Alitha E. Martinez) – Marvel;
Extremity (Daniel Warren Johnson) – Image/Skybound;
The Flintstones (Mark Russell, Steve Pugh, Rick Leonardi, Scott Hanna) – DC;
Mister Miracle (Tom King and Mitch Gerads) – DC;
X-Men: Grand Design (Ed Piskor) – Marvel.

Najlepsza nowa seria:

Black Bolt (Saladin Ahmed, Christian Ward) – Marvel;
Grass Kings (Matt Kindt, Tyler Jenkins) – BOOM! Studios;
Maestros (Steve Skroce) – Image;
Redlands (Jordie Belaire, Vanesa Del Rey) – Image;
Royal City (Jeff Lemire) – Image.

Najlepsza publikacja dla dzieci (do lat 8):

Adele in Sand Land (Claude Ponti, Skeeter Grant, Françoise Mouly) – Toon Books;
Arthur and the Golden Rope (Joe Todd-Stanton) – Flying Eye/Nobrow;
Egg (Kevin Henkes) – Greenwillow Books;
Good Night, Planet (Liniers) – Toon Books;
Little Tails in the Savannah (Frederic Brrémaud, Federico Bertolucci, Mike Kennedy) – Lion Forge/Magnetic.

Najlepsza publikacja dla młodych czytelników (w wieku 9–12):

Bolivar (Sean Rubin) – Archaia;
Home Time (Book One): Under the River (Campbell Whyte) – Top Shelf;
Nightlights (Lorena Alvarez) – Nobrow;
The Tea Dragon Society (Katie O’Neill) – Oni;
Wallace the Brave (Will Henry) – Andrews McMeel.

Najlepsza publikacja dla nastolatków (w wieku 13-17):

The Dam Keeper (Robert Kondo, Dice Tsutsumi) – First Second/Tonko House;
Jane Aline (Brosh McKenna, Ramón K. Pérez) – Archaia;
Louis Undercover (Fanny Britt, Isabelle Arsenault, Christelle Morelli, Susan Ouriou) – Groundwood Books/House of Anansi;
Monstress (Marjorie Liu, Sana Takeda) – Image;
Spinning (Tillie Walden) – First Second.

Najlepsza publikacja humorystyczna:

Baking with Kafka (Tom Gauld) – Drawn & Quarterly;
Batman/Elmer Fudd Special #1 (Tom King, Lee Weeks, Byron Vaughn) – DC;
The Flintstones (Mark Russell, Steve Pugh, Rick Leonardi, Scott Hanna) – DC;
Rock Candy Mountain (Kyle Starks) – Image;
Wallace the Brave (Will Henry) – Andrews McMeel.

Najlepsza antologia:

A Bunch of Jews (and Other Stuff): A Minyen Yidn (Max B. Perlson, Trina Robbins i inni) – Bedside Press;
A Castle in England (Jamie Rhodes i inni) – Nobrow;
Elements: Fire A Comic Anthology by Creators of Color (Taneka Stotts) – Beyond Press;
Now #1 (Eric Reynolds) – Fantagraphics;
The Spirit Anthology (Sean Phillips) – Lakes International Comic Art Festival.

Najlepszy komiks oparty na faktach:

Audubon: On the Wings of the World (Fabien Grolleau, Jerémie Royer, Etienne Gilfillan) – Nobrow;
The Best We Could Do (Thi Bui) – Abrams ComicArts;
Calamity Jane: The Calamitous Life of Martha Jane Cannary, 1852–1903 (Christian Perrissin, Matthieu Blanchin, Diana Schutz, Brandon Kander) – IDW;
Lennon: The New York Years (David Foenkinos, Corbeyran, Horne, Ivanka Hahnenberger) – IDW;
Spinning (Tillie Walden) – First Second.

Najlepszy album graficzny (nowy):

Crawl Space (Jesse Jacobs) – Koyama Press;
Eartha (Cathy Malkasian) – Fantagraphics;
My Favorite Thing Is Monsters (Emil Ferris) – Fantagraphics;
Stages of Rot (Linnea Sterte) – Peow;
The Story of Jezebel (Elijah Brubaker) – Uncivilized Books.

Najlepszy album graficzny (wznowienie):

Boundless (Jillian Tamaki) – Drawn & Quarterly;
Fantagraphics Studio Edition: Black Hole by Charles Burns (Eric Reynolds) – Fantagraphics;
Small Favors: The Definitive Girly Porno Collection (Colleen Coover) – Oni/Limerence;
Sticks Angelica, Folk Hero (Michael DeForge) – Drawn & Quarterly;
Unreal City (D. J. Bryant) – Fantagraphics.

Najlepsza adaptacja z innego medium:

Beowulf (Santiago García, David Rubín) – Image;
H. P. Lovecraft’s The Hound and Other Stories (Gou Tanabe, Zack Davisson) – Dark Horse;
Herman Melville’s Moby Dick (Christophe Chabouté, Laure Dupont) – Dark Horse;
Kindred (Octavia Butler, Damian Duffy, John Jennings) – Abrams ComicArts.

Najlepsze amerykańskie wydanie zagranicznego komiksu:

Audubon: On the Wings of the World (Fabien Grolleau, Jerémie Royer, Etienne Gilfillan) – Nobrow;
Flight of the Raven (Jean-Pierre Gibrat, Diana Schutz, Brandon Kander) – EuroComics/IDW;
FUN, by Paolo Bacilieri (Jamie Richards) – SelfMadeHero;
Ghost of Gaudi (El Torres, Jesús Alonso Iglesias, Esther Villardón Grande) – Lion Forge/Magnetic;
The Ladies-in-Waiting (Santiago García, Javier Olivares, Erica Mena) – Fantagraphics;
Run for It: Stories of Slaves Who Fought for the Freedom (Marcelo D’Salete, Andrea Rosenberg) – Fantagraphics.

Najlepsze amerykańskie wydanie azjatyckiego komiksu:

Furari (Jiro Taniguchi, Kumar Sivasubramanian) – Fanfare/Ponent Mon;
Golden Kamuy (Satoru Noda, Eiji Yasuda) – VIZ Media;
My Brother’s Husband, vol. 1 (Gengoroh Tagame, Anne Ishii) – Pantheon;
Otherworld Barbara, vol. 2 (Moto Hagio, Rachel Matt Thorn) – Fantagraphics;
Shiver: Junji Ito Selected Stories (Junji Ito, Jocelyne Allen) – VIZ Media.

Najlepsza kolekcja archiwalna lub projekt archiwalny (paski komiksowe):

Celebrating Snoopy (Charles M. Schulz, Alexis E. Fajardo, Dorothy O’Brien) – Andrews McMeel;
Crazy Quilt: Scraps and Panels on the Way to Gasoline Alley (Frank King, Peter Maresca) – Sunday Press;
Foolish Questions and Other Odd Observations (Rube Goldberg, Peter Maresca, Paul C. Tumey) – Sunday Press Books;
Sky Masters of the Space Force: The Complete Dailies (Jack Kirby, Wally Wood, Daniel Herman i inni) – Hermes Press;
Star Wars: The Classic Newspaper Strips, vol. 1 (Russ Manning, Dean Mullaney i inni) – LOAC/IDW.

Najlepsza kolekcja archiwalna lub projekt archiwalny (komiks):

Akira 35th Anniversary Edition (Katsuhiro Otomo, Haruko Hashimoto, Ajani Oloye, Lauren Scanlan) - Kodansha;
Behaving MADly (Ger Alpeldoorn, Craig Yoe) – Yoe Books/IDW;
The Collected Neil the Horse (Arn Saba/Katherine Collins, Andy Brown) – Conundrum;
Fantagraphics Studio Edition: Jaime Hernandez (Gary Groth) – Fantagraphics;
Will Eisner: The Centennial Celebration, 1917-2017 (Paul Gravett, Denis Kitchen, John Lind) – Kitchen Sink/Dark Horse.

Najlepszy scenarzysta:

Tom King – Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle (DC);
Matt Kindt – Grass Kings (BOOM! Studios), Ether (Dark Horse), Eternity, X-O Manowar (Valiant);
Jeff Lemire – Black Hammer (Dark Horse), Descender (Image);
Marjorie Liu – Monstress (Image);
Mark Russell – The Flintstones (DC).

Najlepszy scenarzysta/rysownik:

Lorena Alvarez – Night Lights (Nobrow);
Chabouté – Moby Dick (Dark Horse), Alone, Park Bench (Gallery 13/Simon & Schuster);
Emil Ferris – My Favorite Thing Is Monsters (Fantagraphics);
Cathy Malkasian – Eartha (Fantagraphics);
Jiro Taniguchi – Furari, Louis Vuitton Travel Guide: Venice (Fanfare/Ponent Mon).

Najlepszy rysownik/tusz:

Isabelle Arsenault – Louis Undercover (Groundwood Books/House of Anansi);
Mitch Gerads – Mister Miracle (DC);
Gary Gianni – Hellboy: Into the Silent Sea (Dark Horse);
Ramón K. Perez – Jane (Archaia);
David Rubín – Black Hammer #9 i #12, Ether, Sherlock Frankenstein #1–3 (Dark Horse), Beowulf (Image).

Najlepszy rysownik/artysta multimedialny:

Federico Bertolucci – Love: The Dinosaur, Little Tails (Lion Forge/Magnetic);
EFA – Monet: Itinerant of Light (NBM);
Jean-Pierre Gibrat – Flight of the Raven (EuroComics/IDW);
Cyril Pedrosa – Portugal (NBM);
Sana Takeda – Monstress (Image).

Najlepszy twórca okładek:

Jorge Corona – No. 1 with a Bullet (Image);
Nick Derington – Mister Miracle (DC), Doom Patrol (DC Young Animal);
Brian Stelfreeze – Black Panther (Marvel);
Sana Takeda – Monstress (Image);
Julian Totino Tedesco – Hawkeye (Marvel).

Najlepszy kolorysta:

Emil Ferris – My Favorite Thing Is Monsters (Fantagraphics);
Mitch Gerads – Mister Miracle (DC);
Ed Piskor – X-Men: Grand Design (Marvel);
David Rubín – Ether, Black Hammer, Sherlock Frankenstein (Dark Horse), Beowulf (Image);
Dave Stewart - Black Hammer, BPRD: Devil You Know, Hellboy: Into the Silent Sea, Sherlock Frankenstein, Shaolin Cowboy (Dark Horse), Maestros (Image);
Rosemary Valero-O’Connell – What Is Left (ShortBox).

Najlepszy liternik:

Isabelle Arsenault – Louis Undercover (Groundwood Books/House of Anansi);
Clayton Cowles – Bitch Planet: Triple Feature, Redlands, The Wicked + The Divine (Image), Black Bolt, Spider-Gwen, Astonishing X-Men, Star Wars (Marvel), Batman, Mister Miracle (DC Comics);
Emil Ferris – My Favorite Thing Is Monsters (Fantagraphics);
Stan Sakai – Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse);
John Workman – Mother Panic (DC Young Animal), Ragnarök (IDW).

Najlepsze czasopismo związane z komiksem/dziennikarstwo:

Alter Ego (Roy Thomas) – TwoMorrows;
The Comics Journal (Dan Nadel, Timothy Hodler, Tucker Stone, tcj.com) – Fantagraphics;
Hogan’s Alley (Tom Heintjes);
Jack Kirby Collector (John Morrow) – TwoMorrows;
PanelXPanel magazyn (Hassan Otsmane-Elhaou, panelxpanel.com).

Najlepsza książka związana z komiksem:

Deconstructing the Incal by Alejandro Jodorowsky and Moebius (Jean Annestay, Christophe Quillien) – Humanoids;
How Comics Work (Dave Gibbons, Tim Pilcher) – Wellfleet Press/Quarto Group;
How to Read Nancy: The Elements of Comics in Three Easy Panels (Paul Karasik, Mark Newgarden) – Fantagraphics;
Line of Beauty: The Art of Wendy Pini (Richard Pini) – Flesk;
Monograph (Chris Ware) – Rizzoli;
To Laugh That We May Not Weep: The Life and Times of Art Young (Glenn Bray, Frank M. Young) – Fantagraphics.

Najlepsza publikacja akademicka/naukowa:

The Comics of Charles Schulz: The Good Grief of Modern Life (Jared Gardner, Ian Gordon) – University Press of Mississippi;
Ethics in the Gutter: Empathy and Historical Fiction in Comics (Kate Polak) – Ohio State University Press;
Latinx Superheroes in Mainstream Comics (Frederick Luis Aldama) – University of Arizona Press;
Neon Visions: The Comics of Howard Chaykin (Brannon Costello) – LSU Press;
Picturing Childhood: Youth in Transnational Comics (Mark Heimermann, Brittany Tullis) – University of Texas Press.

Najlepiej zaprojektowane wydanie:

Akira 35th Anniversary Edition (Phil Balsman, Akira Saito (Veia), NORMA Editorial, MASH•ROOM) – Kodansha;
Celebrating Snoopy (Spencer Williams, Julie Phillips) – Andrews McMeel;
Monograph (Chris Ware) – Rizzoli;
My Favorite Thing Is Monsters (Jacob Covey) – Fantagraphics;
Will Eisner: The Centennial Celebration, 1917-2017 (John Lind) – Kitchen Sink/Dark Horse.

Najlepszy komiks cyfrowy:

Bandette (Paul Tobin, Colleen Coover) – Monkeybrain/comiXology;
Barrier (Brian K. Vaughan, Marcos Martin) – Panel Syndicate;
The Carpet Merchant of Konstaniniyya (Reimena Yee) – reimenayee.com/the-carpet-merchant;
Contact High (James F. Wright, Josh Eckert) – gumroad.com/l/YnxSm;
Harvey Kurtzman’s Marley’s Ghost (Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, Gideon Kendall) – comiXology Originals/Kitchen, Lind & Associates;
Quince (Sebastian Kadlecik, Kit Steinkellner, Emma Steinkellner, Valeria Tranier) – Fanbase Press/comiXology.

Najlepszy webkomiks:

Awaiting a Wave (Dale Carpenter, Nate Powell) – features.weather.com/us-climate-change/arkansas – The Weather Channel Digital;
Brothers Bond (Kevin Grevioux, Ryan Benjamin) – www.webtoons.com/en/action/brothers-bond/list?title_no=1191 – LINE Webtoon;
Dispatch from a Sanctuary City (Mike Dawson) – https://thenib.com/dispatch-from-a-sanctuary-city – The Nib;
The Tea Dragon Society (Katie O’Neill) – teadragonsociety.com – Oni Press;
Welcome to the New World (Jake Halpern, Michael Sloan) – www.michaelsloan.net/welcome-to-the-new-world/ – New York Times Sunday Review.